Coffins & sarcophagi

Coffins were often placed inside a sarcophagus, and we find whole sets of them
(inner & outer) or 1st, 2nd& 3rd,
though sometimes only a mummy board (another lid)
Was placed on top of mummy.
a third type of material, particularly common during the 3rd
intermediate and Greco- roman periods was cartonnage(the term is also
conveniently used in the same way as
coffin or sarcophagus )
This was made by successive
application of linen (papyrus in the Greco roman period ) glue& gesso around a model mummy and painting it with bright water colors
coffins and sarcophagi are of 2 basic forms: rectangular& anthropoid but only the latter is known in cartonnage
Anthropoid coffins appeared
in the middle kingdom as natural extensions of the earlier mummy – masks
covering the upper part of the mummy.
Decoration varies according to date. Some of
the coffins of the early dynasty period have a palace façade as do sarcophagi
of the old kingdom. In the 1st intermediate period and the middle kingdom the interior of rectangular coffins was
often inscribed with the coffin texts and there were
also representations of various items of funerary equipment’s
and an offering list anthropoid rishi
coffins named for decoration imitating
feathered wings of a goddess probably isis or nephthys , protecting the body are characteristic of the 7th
dynasty while, white coffins with bands suggesting
mummy bandages were common in the 18th dynasty
. for the rest of the new kingdom and
later the tendency was to
increase the amount of decoration by adding
amount of decoration by adding small scenes with various deities
and texts rectangular coffins and sarcophagi became rare & enjoyed a limited revival toward the end of the late period. The perfection of the
late period. The perfection of workmanship and finish of anthropoid sarcophagi
of the late period are justly famous they were made of a dark hard stone,
usually basalt but there were also imitations in wood. The decorations in wood.
The decoration& inscriptions
on coffins and sarcophagi of the late
and Greco roman periods drew their
inspiration from religious texts and their vignettes, including the book of the dead the pyramid texts and under world books the out side of the lid was often inscribed with chapter 72
of the book of the dead , the spell for
going forth by day and penetrating the nether world.
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